HyperCultura, Vol. 13/2024 – Issue editors – Sorina Georgescu (Hyperion University of Bucharest), Jaime Segura San Miguel (Universidad Complutense de Madrid), and Marta Silvera Roig (Universidad de Las Palmas de Gran Canaria)

This issue is also archived in the Internet Archive

Irina ARMIANU – University of Texas Rio Grande Valley: Travel Literature. Mircea Eliade’s Occidental View in the Himalayan Journal and the Portugal Journal

Hatice Bay (Cappadocia University, Nevşehir, Turkey) & Alperen Mutlu (Muş Alparslan University, Muş, Turkey): Eleanor Roosevelt as a Queer Heroine in Susan Wittig Albert’s Loving Eleanor

Sethuparvathy S. & Smita Jha – Indian Institute of Technology, Roorkee, India: Retelling History Through Imagined Spaces: Examples of Literary Cartography from Select Postcolonial Malayalam Novels

Debartha Roy – The Sanskrit College and University: Unalterable Pasts and Transformative Futures: Memory, Trauma, and the Temporal Boundaries of Identity in Toshikazu Kawaguchi’s “The Lovers.”

Argha Bhattacharyya – Indian Institute of Technology Kharagpur: Saintly Men and Sinister Ideals: Deconstructing the Indian Mard in Anubha Yadav’s The Anger of Saintly Men

Shreyansh Jain & Smita Jha – Indian Institute of Technology, Roorkee, India: Exploring the Intersection of Liminality and Identity Formation in S. B. Divya’s Meru (2023)

Jaime Segura San Miguel – Universidad Complutense de Madrid: Monomyth, Mirrors, and Maddening Mothers—Otherized Female Identity in Coraline

Eleftheria Karagianni – University of Crete, Greece: Prostitution in the Greek Cinema of the 1950s and 1960s: From Regulation to Socialization of Desire

Dhee Sankar (Sanskrit College and University, Kolkata), Semanti Nandi (South Calcutta Girls’ College), Prasun Roy (Ghoshpukur College), Mercy Hembrom (Umeschandra College), Ayantika Bhaskar (St. Xavier’s University, Kolkata): Shakespeare’s Glocal Moorings: Transculturation in Two 2001 Celluloid Adaptations of Othello

Navin Sharma (Amity Institute of Arts, Humanities & Social Sciences, Amity University Jharkhand) & Priyanka Tripathi (Humanities and Social Sciences at the Indian Institute of Technology Patna): Integrating Legal, Feminist, and Cinematic Narratives: An Analysis of Film Akaash Vani